Ed Ruscha at Crown Point Press

I love the way he talks about working with the process, experimenting and allowing accidents. Also that he doesn’t feel that one print or photograph necessarily could become a painting.

Ed Ruscha at Crown Point Press

I love the way he talks about working with the process, experimenting and allowing accidents. Also that he doesn’t feel that one print or photograph necessarily could become a painting.

Robert Rauschenberg – Erased De Kooning

In this video Rauschenberg discusses one of his most controversial works ‘Erased De Kooning’. I love that he says that the work wasn’t an act of defacement, it was poetry!

Robert Rauschenberg – Erased De Kooning

In this video Rauschenberg discusses one of his most controversial works ‘Erased De Kooning’. I love that he says that the work wasn’t an act of defacement, it was poetry!

Cady Noland; the quiet cool

…who seems content to exhibit in the most underground of all artistic venues, the mind. page 64 Flash Art Jan/Feb 2012

Cady Noland; the quiet cool

…who seems content to exhibit in the most underground of all artistic venues, the mind. page 64 Flash Art Jan/Feb 2012

Women of the Avant-garde 1920-1940 – Louisiana Museum of Modern Art

Louisiana (located north of Copenhagen) is the museum of my childhood. It is always good to have another reason to re-visit it…

Women of the Avant-garde 1920-1940 – Louisiana Museum of Modern Art

Louisiana (located north of Copenhagen) is the museum of my childhood. It is always good to have another reason to re-visit it…

Robert Altman; the making of Short Cuts

I have been thinking about aesthetics of writing and also narrative within art in the last few weeks. Storytelling has never been something that I aim for in my artworks, but I am starting to recognise that my perception of

Robert Altman; the making of Short Cuts

I have been thinking about aesthetics of writing and also narrative within art in the last few weeks. Storytelling has never been something that I aim for in my artworks, but I am starting to recognise that my perception of

Consciousness: The hard problem?

The Guardian science correspondent Alok Jha is having a conversation with Dr Anil Seth, Prof Barry Smith, and Prof Chris Frith about consciousness.

Consciousness: The hard problem?

The Guardian science correspondent Alok Jha is having a conversation with Dr Anil Seth, Prof Barry Smith, and Prof Chris Frith about consciousness.

Er kunst kultur? (Is Art Culture?)

This article was published in the Danish newspaper Berlingske. I am sorry I haven’t got the skills to translate it, but basically Henrik Dahl a sociologist and author is contemplating the use of the two words Kunst (art) and Kultur

Er kunst kultur? (Is Art Culture?)

This article was published in the Danish newspaper Berlingske. I am sorry I haven’t got the skills to translate it, but basically Henrik Dahl a sociologist and author is contemplating the use of the two words Kunst (art) and Kultur

Torsten Lauschmann showing in Newcastle…

AV Festival at the Laing Art Gallery where Lauschmann has created a show that reward the patient viewer with a kind of magic that slows, even the most hardened Londoner, down to a pace of wonder.

Torsten Lauschmann showing in Newcastle…

AV Festival at the Laing Art Gallery where Lauschmann has created a show that reward the patient viewer with a kind of magic that slows, even the most hardened Londoner, down to a pace of wonder.

How your brain tells you where you are!

Great online Neil Burgess TED talk

How your brain tells you where you are!

Great online Neil Burgess TED talk

Royal Academy of Arts Annual Lecture; Richard Tuttle in conversation with Richard Shiff

Richard Tuttle was discussing his work with Richard Shiff (Professor of Modern and Contemporary Art at the University of Texas) at the Royal Academy of Arts. Shiff started the conversation by introducing Tuttle’s piece “3rd Rope Piece” (1974) as seen above.

Royal Academy of Arts Annual Lecture; Richard Tuttle in conversation with Richard Shiff

Richard Tuttle was discussing his work with Richard Shiff (Professor of Modern and Contemporary Art at the University of Texas) at the Royal Academy of Arts. Shiff started the conversation by introducing Tuttle’s piece “3rd Rope Piece” (1974) as seen above.